7.5mm F3.5 Fisheye 8mm F2.8 II Fisheye 8mm F3.5 Fisheye 8mm F3.5 HD Fisheye 10mm F2.8 12mm F2.0 12mm F2.8 Fisheye 14mm F2.8 Canon RF and Nikon Z 14mm F2.8 16mm F2.0 20mm F1.8 21mm F1.4 24mm F1.4 24mm F3.5 35mm F1.2 35mm F1.4 50mm F1.2 50mm F1.4 85mm F1.4 Canon RF and Nikon Z 85mm F1.4 85mm F1.8 100mm F2.8 Macro 135mm F2.0 300mm F6.3 Catadioptric for DSLR's 300mm F6.3 Catadioptric for Mirrorless

16mm F2.0

HIGH SPEED SUPER WIDE ANGLE

  • Internal Focus

    Internal Focus

    Focus is achieved without any lengthening or rotation of the front lens element

  • Low Light

    Low Light

    A Large aperture lens design that gathers more light for superior low light results and enables shallow depth of field imaging

  • Low CA

    Low CA

    Low Chromatic Aberration: All colors to come into focus in exactly the same place for reduced color fringing and increased sharpness

  • Bokeh

    Bokeh

    Aesthetic quality of the blur produced in the out-of-focus parts of an image

  • Low Flare & Ghost

    Low Flare & Ghost

    Helps prevent haze, lack of contrast and artifacts scattered throughout the image from bright source(s) of light

  • Low Coma

    Low Coma

    Helps prevent a blur that looks like a comet's tail that can occur at a lens edge

  • Wide

    Wide

    Any information on Wide can be placed here...

  • Rokinon Multi-Coating

    Rokinon Multi-Coating

    Multiple layer antireflective coatings that control ghosts and flare with increased contrast and light transmission

  • Non-Rotating Filter Mount

    Non-Rotating Filter Mount

    When focusing, the filter threads do not rotate for easier use of polarizers and graduated filters

16mm F2.0 Quarter View

Mounts

Pentax K

Sony α

Fuji X

Samsung NX

Model: 16M-P Model: 16M-S Model: 16M-FX Model: 16M-NX

Sony E

Micro 4/3

Canon M

Canon

Model: 16M-E Model: 16M-M43 Model: 16M-M Model: 16M-C

Nikon AE*

Model: 16MAF-N
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User manual can be downloaded here: Download

The 16mm f/2.0 ED AS UMC CS Lens from Rokinon is a manual focus wide-angle lens compatible with APS-C format DSLR digital cameras. It provides a 79.5° angle of view which translates into a 35mm format equivalency of 25.6mm. A fast maximum aperture of f/2.0 is effective in low light shooting and provides shallow depth of field. With two aspherical lens elements and one extra-low dispersion element, chromatic aberrations are minimized and sharp, color-accurate images are the result. UMC lens coating facilitates even light transmission and reduces ghosting and flare.


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  • Wide angle focal length equivalent to 25.6mm in the 35mm format

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  • Fast f/2.0 maximum aperture for effective low light shooting and shallow depth of field

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  • Aspherical and Extra-low Dispersion lens elements reduce aberrations

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  • UMC lens coating allows even light transmission and minimizes ghosting and flare





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Choose Mounts

Pentax K

Sony α

Fuji X

Samsung NX

Model: 16M-P Model: 16M-S Model: 16M-FX Model: 16M-NX

Sony E

Micro 4/3

Canon M

Canon

Model: 16M-E Model: 16M-M43 Model: 16M-M Model: 16M-C

Nikon AE*

Model: 16MAF-N

Pentax K

Model: 16M-P
MSRP: $499
UPC: 0-84438-76130-6
Focal Length: 16mm
Maximum Aperture: F2.0
Angle of View: APS-C/Four Thirds
Optical Construction: 13 Glass Elements In 11 Groups
Aperture Range: F2.0 to F22
Diaphragm Blades: 8
Coating: Ultra Multi-Coating
Minimum Focusing Distance: 7.9” (0.2m)
Filter Size: 77mm
Lens Hood: Removable Petal Shaped
Maximum Diameter: 3.27”(83mm)
Weight: 25.04oz (710g)
Length: 3.46” (87.9mm)
1. Rokinon MTF charts use theoretical equations to plot performance and do not rely on subjective 
opinion, subject matter, camera features, software or other factors. They plot the contrast and resolution of a lens from the center to its edges, against a "perfect" lens that would transmit 100% of the light that passes through it. The contrast of a lens is important because it directly relates to resolution.

3. Rokinon tests are carried out with the lens at its maximum (widest) aperture (Ex. 24mm F1.4 lens is measured at F1.4 for MTF).

4. Zero on the chart’s X-axis (horizontal axis) 
represents the center of the lens. As a line moves right, it indicates the change of contrast and sharpness from the center to the edge of the image. 

5. The Y-axis (vertical axis) plots the transmission of light through the lens. It has a maximum value of "1.0" to indicate 100% transmittance of the light, which is not possible to achieve. 

6. The blue graph lines (10 lines/mm) represent contrast measurement. The red graph lines (30 lines/mm) represent resolution.

7. Sagittal lines (thick lines) represent the contrast 
measurements of line pairs that are parallel to an imaginary diagonal line that runs from the bottom left hand corner to the top right hand corner of a image frame. Meridonial lines (thin lines) represent line pairs that are perpendicular to the imaginary diagonal line.

8. The higher and straighter the blue lines, the better the contrast. The higher and straighter the red lines, the better the resolution.